In: international

Knock knock! Art news here! London Art Fair 2017 opened to the public and 129 galleries showed some of the most exciting, fresh and sexy art collections! The social confusion of 2015-2016 seems to have created the environment for the most beautiful clarity in art. Art screams at you this year. It wants to be on your wall, not in a museum.

John Piper, Public Bar. Courtesy of the Waterhouse & Dodd

Many young entrepreneurs are now looking to invest in an alternative asset class. They want to use their new fortunes to invest in something that gives them a visual satisfaction. They are aware of the fact that they might discover a new Richter. Galleries are exploiting this feeling with marketing, doing a great job parenting the relationships between young artists and young collectors. Talent is being exploited beautifully and respectfully and not just experimented with.
This year’s London Art Fair enabled collecting at all levels, from museum quality Modern British art to the very new in contemporary art. 17 different countries including China, France, Germany, South Korea and the USA marked the most international edition of the fair to date.

Juliette Losq, Lethe. Courtesy of the Waterhouse & Dodd

The Fair also welcomed The Lightbox Woking as their 2017 Museum partner, celebrating their 10th anniversary with a curated exhibition of highlights from The Ingram Collection entitled ‘Ten Years: A Century of Art’, situated at the front of the fair.
As new features and highlights for 2017, The London Art Fair offers Modern British art with Waterhouse & Dodd’s debut in the pavilion; new galleries such as Christopher Kingzett Fine Art, Katharine House Gallery, Beaux Arts London and Peter Harrington Gallery. Many contemporary art galleries are making their international debut at the fair, including Pi Artworks (Istanbul/London), Atelier Aki (Seoul) and Victor Lope Arte Contemporaneo (Barcelona). The Art Projects ‘Dialogues’ curated by Miguel Amado, presented a series of five collaborations between galleries encouraging new forms of representation and fostering relationships on a global scale. ‘Stranger Collaborations’ showcases artistic collaborations formed via the internet and is curated by Pryor Behrman in the Art Projects Screening Room. The Fair also highlighted ‘Photo50: Gravitas’ a group of exhibitions of lens-based works curated by Christian Monarchi, founding editor of Photomonitor and contemporary Korean artist Jaye Moon’s LEGO street art sculptures, installed by Hanoi Gallery in locations throughout the Fair.
London retains the status of a global arts hub even post-Brexit and as Sarah Monk, Director of the London Fair, commented: ‘the exhibitors are used to riding out the ups and downs of the economy.’ Indeed, the overall feeling that I got from last year was that art is thriving in today’s context.

Jeff Robb, Unnatural Causes 20. Courtesy of the Pontone Gallery

Our top pick galleries this year were: Flowers, Waterhouse & Dodd, Tag Fine Art with the Hanbury Collection, Sardac Gallery, GBS Fine Art, Pontone Gallery and of course Hanmi, which was also one of our favorites of last year. Make sure to stop by Skipwiths as well to see amazing Kwang Young Chun, a star on the rise.
There is a radical return to beauty: nature, simplicity, clean shapes and colors and I must emphasize again, a return to sexy! Art this year is refreshing, cool, exciting and it could just turn into a love affair. In a time when experts fail to give the right predictions and answers, when society is at a turning point, art seems to be the way out for life and society. This little black book of the global feeling gathers all the cultural influences, interconnections and togetherness against all odds.
Art is real and real has just got surreally good!

Less than a week after Frieze Art Fair in London, gallerists, collectors and art-lovers in the art world take only a short breath and then gather around another important international contemporary art fair, FIAC, in Paris. Under the natural light coming through the exquisite glass roof of Grand Palais, the 42nd edition of FIAC has gathered 175 exhibitors from 23 countries. Here is a quick guide for some galleries to watch out for!

1. Neugerriemschneider (0.A30)

Directly facing the main entrance, this gallery from Berlin has proudly put up a large piece to match its honourable location. Overdose by Michel Majerus consists of 15 panels and forms a painting as well as an installation. Woody, the easily recognisable cowboy character from <<Toy Story>>, together with other colourful ads and brands, immediately gives visitors a familiar feeling as they set foot in the fair.

2. Galerie Chantal Crousel (0.A32)

The gallery is celebrating its 35th anniversary this year and is showcasing artists including Danh Vō, Haegue Yang and Heimo Zobernig. The spotlight is on Melik Ohanian, the winner of the Marcel Duchamp Prize this year with his Portrait of Duration. Every year the Marcel Duchamp Prize selects a French artist or an artist residing in France in the field of the plastic and visual arts. Don’t forget to check out this prize-winning artwork at the far end of the exhibition hall.

3. Andrea Rosen Gallery (0.A40)

The three sections inside the gallery booth presenting different artists sit well with one another. Among those artists presented, David Altmejd is undoubtedly my favourite and whose solo exhibition was in place in the modern art museum of Paris (Musée d’Art Moderne de la Ville de Paris) earlier this year. His gestural plaster works have always been his signature while the shattered mirror this time has caught much photographic attention.

4. Luciana Brito Galeria (0.A47)

I was intrigued by the installation work But a Melon for Ecstasy by Héctor Zamora, a Mexican artist who lives and works in São Paulo, Brazil. According to the gallerist, the watermelon on a bike refers to a Brazilian movie from the 1970s about a watermelon fetish. The watermelon denotes a secret sense of desire and loneliness.

5. Galerie Pietro Sparta (0.A50)

 Works by Jean-Luc Mouléne (front) and Mario Merz (back) at Pietro Sparta

The sculpture consisting of shells and plates by French artist, Jean-Luc Mouléne is wisely juxtaposed in front of the installation by Mario Merz. It creates a dialogue between the two artworks, both emphasising the material and metaphorical qualities of natural objects.

6. 303 Gallery (0.B22)

Moot Matter by Alicja Kwade at 303 Gallery

Several conversations engaging various artists are happening in this booth. A silvery installation by Dominique Gonzales-Foerster is placed below a painting by Karen Kilimnik in a smaller confinement while a glass sphere is superimposed in front of blue Breathing Watercolours (Wallpaper) by the same artist, Jeppe Hein. My favourite piece is Moot Matter by Alicja Kwade –sitting on the ground subtly collecting everything from its surrounding onto its reflective surface.

7. Kamel Mennour (0.B32)

The gallery has very diverse displays to offer, mixing rising and established artists, from sculpture by Alicja Kwade to Anish Kapoor, from Michel François to Daniel Buren. The most eye-catching was the sculpture by Huang Yong Ping which resembles a deer divided into two with a bow in the middle.

8. Karsten Greve(0.B34)

The gallery has put up several works by well-known French artist, Louise Bourgeois, alongside Claire Morgan, a London-based artist of contemporary sculpture and installation art. Artworks by both artists caught equal attention and are all amazing, especially the light and soft sculpture by Morgan using grains as shown in the picture.

9. Lisson Gallery (0.B40)

There is an installation work of fluorescent light called Paris Sky by Spencer Finch, probably especially chosen to match FIAC’s setting in Paris. Anish Kapoor‘s In-between, a sculptural installation with sexual undertone, retreated at a corner of the booth but still caught a great deal of attention, even with a security guard solely dedicated to it.

10. Galerie Nagel Draxler (0.B53)

The French-Algerian artist, Kader Attia‘s sculpture, Culture, Another Nature Repaired is reflected in another piece, Repaired Broken Mirror #11 by the same artist. “In the mended mirrors, the visitor will see his own face as if scarred by the metal wire,” the artist once said. With the wooden sculpture, Attia has transformed faces of mutilated war victims into a new depiction of human existence under interacting influences of African-Arabian and Western cultures.

11. Hauser & Wirth (0.C33)

The stand paid tribute to the attacks to the French newspaper Charlie Hebdo which happened earlier this year in the city. There are works with themes on freedom of speech and expression, such as Tienanmen (Students) by Fabio Mauri, being displayed around a stack of Charlie Hebdo issues.

12. Galeria Plan B (1.J28)

Let’s then turn to a booth on the first floor with a more playful selection. There is a work by Navid Nuur that requires you to take a flash photo so as to truly see it. On the other side of the booth, clementine skins are displayed as Pattern for a Sphere, accompanied by a kind of recipe that teaches you to make similar artworks, possibly with oranges, mandarins or grapefruits as suggested by the artist, Miklos Onucsan.

If you are in Paris for FIAC, don’t forget to check out the programme “Hors Les Murs” by FIAC — exhibiting outdoor installations scattered at various spots along the Seine, with the beauty of the City of Light as backdrops.