With the right kind of motivation and a well-planned layout, one can hop across Brooklyn from one gallery opening to the next, and get the full and rich depth that this exciting fall 2015 season has to offer in the Brooklyn art world. Start off on the top of the map, use for your absolute guide and bible Brooklyn’s very own Wagmag, a comprehensive guide to the ever increasing gallery spread in Brooklyn, and get ready for the Greenpoint exhibition spaces. In particular I would recommend checking Heliopolis gallery, Yes Gallery, Java Studios and all the way up on Green Street you can work your way into the intimate space of the 106 Greene gallery.
Specifically at the 106 Greene space they’re exhibiting a solo exhibition from Brooklyn based artist Phoebe Berglund, Waiting in Line, where the artist uses assorted materials including dirt, concrete, bananas and stilettos all pieces from which she cantilevers her deconstructed, heavily painted frames. This work provokes the viewer to consider urban decay and the nature of our built environment, always subject to time and erosion. Commodity culture and technological innovation are foiled by man’s impotence to reconcile with his own temporal limits his finite nature and ultimate mortality. But this will only be your starting point, the beginning of a journey that leads on through all the diverse creative approaches and unique spaces Brooklyn’s art scene has on offer this season.
Next on the list, travel down to the very epicenter, where Brooklyn’s gallery spaces just keep emerging with work that attracts and provokes. This is the Williamsburg area of Brooklyn and here there are galleries ranging from obscure and small, like the City Reliquary or The Boiler, to larger older and more established exhibition spaces like the WAH Center or Brooklyn Art Library. On display in one smaller but worthwhile gallery, Moiety Gallery, a body of work from the French multi-media artist Thomas Mailaender, this exhibition is a series Mailaender has titled 1998. This title brings along with it a functional signification as it directs the viewer to the fact that Mailaender has decided to bypass the use of newer materials and technological processes to develop his distinct photographic collages.
Instead what Mailaender has done here is carry the imagery from his youth, a compilation of found internet images that pre-date the ability to instantly call up images by the thousands via search engine, forward re-examining bizarre images from the early days of computer development. Endured to the process of photomontage Mailaender uses this analog process by taking his images from their digital base and collaging hard copies, then recapturing the images now as collisions between disjointed imagery. In the final prints we see a mixture that combines the grotesque, the tabloid bizarre and the uncanny, a wonderful dizzying popular culture hybrid. Images range from the a carnival extra with bloated stomach drawn on with circular designs to a Neanderthal man and his 20th century wife who has just given birth to an alien child, these call up the late 90’s trash tabloid culture that exists and becomes even more distorted as nostalgic references to a recent past when computer technology was just emerging and remained rough and unrefined in its early stages.
Next stop along the seemingly endless gallery spree that exists within Brooklyn’s ever growing, ever thriving fine art scene, the Bushwick area offers some truly exceptional galleries and exhibition spaces, what I have found is that Bushwick specifically holds some of the greatest performance art spaces. Tucked under the j-train overpass, along the Broadway strip, there are galleries like The Living Gallery, Wayfarers, Good Work Gallery and my personal favorite, Grace Exhibition Space. Here, in these spaces, a cultivated atmosphere has arisen for multi-media and performance works, even large scale installations, to co-exist and spark endless discussion and debate. At the Grace Exhibition Space, during the entire fall art season into the December, there will be a collection of Performances curated by Whitney V. Hunter, the current David C. Driskell PhD Fellow at the Institute for Doctoral Studies in the Visual Arts. This series of Performances titled The Sphinx Returns, seeks to promote the idea and discussion of performance art as the center for myth and ritual in our contemporary lives, injection a sense of the mysterious and the fantastic; but also taking on tough issues like race, gender and sexuality, marginalization and art criticism. I was lucky enough to be present at the opening for the first performance series and what a complete and spectacular adventure, pieces by international artists Hector Canonge and Lion Ayodele, took the body as a site for past traumas and allowed the viewer to contemplate modern identity in relation to art history and world history.
So get out and explore the expanding art world around you, if you are working and/or living in NYC from Queens to Brooklyn, Manhattan to Harlem there is art all around you. I have laid out for you some great spots to visit on the Brooklyn art scene, but all over the city the exhibition season has started and shows will be continuously opening, from the smallest gallery to the largest museum exhibition. Get out and see what is on offer this season in NYC, and if you are in the borough of Brooklyn then you know what to do, take that winding art trail throughout the urban environs and seek out something culturally uplifting.