When Damien Hirst announced his new gallery space in London the question was, who would get the inaugural exhibition? The answer: John Hoyland. Newport Street Gallery is in Vauxhall and it acts as a ‘the realisation of Hirst’s long-term ambition to share his art collection with the public‘. Hirst has made his admiration for Hoyland quite public throughout his career and has been seen affectionately referencing his work, talking about how he is ‘an artist who was never afraid to push the boundaries‘ and how ‘his paintings always feel like a massive celebration of life to me‘.
Hoyland has often been characterised as one of the leading painters of his generation and his work impacted the world of contemporary art by showing how simple bold colours can have such a powerful visual effect. Up until ‘Power Stations‘, his last solo show was back in 2006 at Tate St. Ives, so I believe Hirst’s selection of artist’s works is particularly powerful as it brings the artist back to the greater art scene.
Hoyland studied at Royal Academy Schools in London before bursting onto the art scene at the forefront of the Abstract Expressionist movement in the midst of the 1960s. Hoyland’s work was mostly influenced by such artists as Jackson Pollock and Mark Rothko, nonetheless, the artist carries his distinct personal style; he totally relies on colour and shape without any distractions.
Hoyland once famously said ‘paintings are there to be experienced … [they] are not to be reasoned with, they are not be understood, they are to be recognised‘ and I think it is very important to adopt this mindset when viewing his pieces. Large scale paintings look striking within vast spaces, therefore, the relationship between the artist’s work and the space they inhabit is perfectly structured. The bold colours light up within the gallery due to high ceilings, allowing the visitor to appreciate the depth of each piece and explore each painting down to the tiniest details. It can be challenging to look at Hoyland, and many people have questioned his integrity as an artist while they struggle to view blocks of colour as being ‘real art’, but thought is the key and you must embody the open and expansive outlook that Hoyland himself seemed to possess.
Hirst’s selection of the pieces for this exhibition is important because it exposes new works from the artist and gives substantial insight into one of the most important periods of Hoyland’s life and work, from 1964 to 1982. Throughout the gallery, rooms are designed to take the visitor on a journey through colour. The highlight of the exhibition featured a collection of paintings showcasing Hoyland’s use of a colour palette made up of soft, pastel tones such as pink, lilac and white. As Hoyland usually prefers a bolder more striking palette that centers on reds, oranges and greens, this softer use of colour showed a drastically different side to his work.
Showcasing an array of some of Hoyland’s most compelling pieces, The Newport Street Gallery is an absolute must-see. “Power Stations” on view until April 3rd, 2016.