Every October, the Frieze Art Fair attracts crowds of collectors and art-lovers from abroad and paint exciting events and exhibitions on canvas of art scene in London. It is certainly an exciting experience to go visit Frieze London, one of the most important contemporary art fairs nowadays. The 13th edition of this international art fair features 164 galleries from 27 countries. This personal selection attempts to provide you with a glimpse of the fair and help you feel the vibe surrounding Frieze.
- Galerie Eigen + Art (A12)
The installation made of cardboard, acrylic paint and wood by Birgit Brenner looks subtle but intriguing. The artist takes ideas from the banalities of daily life which is then expressed by using collage of raw materials such as brown cardboard, tape, staples and markers. They resemble pieces and parts of information that randomly coincide, overlap or complement each other in our current human existence dominated by means of modern technology and information. The gallery also exhibits works by conceptual artist, Olaf Nicolai who explores the relationship of idea to image or idea to object.
- Galerie Perrotin (A16)
This well-established French gallery is gathering fascinating works by various artists, including poetic minimalist series of Meditation by Korean artist, Chang-Sup Chung and Studies into the Past by French artist, Laurent Grasso, who recreates human and natural phenomena set in surreal time and space. The most eye-catching piece is Cierra, the superrealist sculpture of a nude woman posed like a muse for classical painting, by John de Andrea. You do feel you are staring at a nude lady so close and right in front of you. I like Ivan Argote’s see?, it’s true which examines propaganda in the history of several countries.
- Pace (B6)
The gallery has put up a new installation by Adam Pendleton alongside works by a group of artists including Robert Rauschenberg, Sol LeWitt, Lee Ufan and Wang Guangle. Pendleton’s work is now in place in the Belgian pavilion of Venice Biennale. I was mainly attracted by the rarely seen Salvage works of Robert Rauschenberg, which will offer an historical precedent for Pendleton’s silkscreen work according to the gallery.
- Gagosian Gallery (C3)
There is solo show of the artist Glenn Brown, whose drawings are the focus this time. Through lines, shadings and strokes, Brown revisits the tradition of copying the historical subjects as a learning process while the effects of gesture are emphasised. The artist is known for the use of appropriation that he would work on other artists’ works by changing colours, forms, or texture in the case of sculptures.
- White Cube (D4)
Here you can see works by big names, such as Tracey Emin, Damien Hirst and Mona Hatoum. The gallery was a pioneer in exhibiting works by Young British Artists (YBAs). I was quite attracted by the mirrored sculpture Puzzle by Liu Wei, a Chinese artist who often uses unexpected materials in surprising configurations. Its mirrored surface interacts with fair-goers and other artworks displayed at the booth.
- Galerie Buchholz (D8)
The inflatable Felix cat by Turner Prize winner Mark Leckey at the Galerie Buchholz booth is the largest artwork exhibited inside the white tent, and is reported to be sold early on the first day of the fair. On the other hand, I was rather intrigued by Wolfgang Tillmans’s realist and intimate photograph of Arms and Legs (2014).
The London-based gallery was awarded the Stand Prize at Frieze London 2015 for its two-artist presentation, praised by the jury on the ‘impact’ of the stand which instigate ‘intellectual and formal dialogue between the two artists.’ The sculptural installation by Yngve Holen made with washing machines, model airplanes and plexiglass was playful and attention-seeking. When it is surrounded by pixelated Rothko paintings by Mark Flood, the visual effects are elevated and make the stand difficult to be avoided by almost every fair-goer.
- The Modern Institute (E5)
The 23 Granny Smith apples hung with transparent strings lining in a v-shaped form immediately drew me into the booth of The Modern Institute from Glasglow. With this artwork, Urs Fischer makes use of found objects –real apples, and the v-shaped line looks like the trajectory of an apple falling and bouncing back on the ground. It is in dialogue with the installation at the back of the booth by Martin Boyce who likes to explore modernist design and how time affects our understanding of design objects.
This is a visually fascinating booth guaranteed by works of Olafur Eliasson including Panetary Lovers (2015) and Polychromatic attention (2015). The 24 partially chromed crystal spheres have attracted many smartphones and cameras for photo-taking. Draped Marble (2015) by Analia Saban, which examines the inherent quality of the material, was minimalist, finely made and neatly presented.
- P.P.O.W. (G2)
Always adoring blue and white china, I was truly enchanted by Ann Agee’s porcelain and stoneware installation, Lake Michigan Bathroom (2014), a re-creation of her original work from 1992. Agee often uplifts utilitarian objects to the level of artwork while seeking to replicate and mimic pre-existing forms. With this piece, she replicated industrial china by hand as porcelain and stoneware, in a way to examine reproduced objects’ position in culture.
Last advice for the fair includes: i) going to the sculpture park before entering the white tent of the fair because it gets too dark for appreciating sculptures outdoor after 6pm if you only go after all the booths; ii) do not miss out some “Live” sessions or “Projects” scattered around the venue, such as Misako & Rosen’s Portrait Session (2015) by Ken Kagami, fun guaranteed.
If you have also been to the Frieze Art Fair already, what are YOUR picks? Leave a comment to exchange ideas!