The current display at Four Corners Gallery is the culmination of work by five artists: Marianne Bjornmyr, Maria Kapajeva, Jo Lawrence, Georgia Metaxas and Elisa Noguera Lopez. All were selected to take part in Fathom 2015, a residency in its second funding round, granted via Arts Council England with additional support from the European Regional Development Fund for this final exhibition. The driving force behind the programme is to provide London based film makers and photographers with an opportunity to explore their ideas in an open, practice-based, experimental manner.
The exhibition space itself is fairly modest and fitting all five artists in was clearly a curatorial challenge. I was lucky enough to have a long conversation with Dave Than, Exhibitions and Project Manager, who treated me to a fascinating account of the history and cultural significance of the space which houses (amongst other things): around twenty artists’ studios, a fully functioning photographic studio, the London base for photographer Steven Gill (arguably the photographer of London’s east end) and a fully functioning colour and black & white darkroom. The darkroom itself is shared with the photographic printing service Labyrinth who have just been awarded the Lucie Foundation’s Best Darkroom award – so a massive congratulations to them! Hopefully I am beginning to paint an accurate picture of just how important the work that goes on inside the Four Corners building, which is currently celebrating it’s 40th year, really is.
What became most apparent from my conversation with Dave is the care and support each of the artists in residence receives as a part of the programme, with such a wealth of knowledge and resources available it’s not surprising that there is such diversity in the works on display. At one side of the gallery you have the quietly confident work of Georgia Metaxas who has created bust-portraits of invigilators across London in a classical style, a great homage to those who work in the galleries we visit and endure the painful task of sitting in the same place for hours on end. Then, at the other end of the gallery, you have the work of Jo Lawrence who happened upon Angeles Duran, a Spanish activist who found a loophole in the legality of constellation ownership and claimed the Sun at the centre of our solar system as her own.
Her animation tells Duran’s story in a playful style and is the result of many conversations that took place between the two women. Sandwiched between these are offerings from Marianne Bjornmyr, Maria Kapajeva and Elisa Noguera Lopez. Bjornmyr’s beautiful black and white photograms were created by scattering actual meteor dust across the surface of the paper whilst, opposite the Dogs and Chairs in Lopez’s films and found images explore the notion of animism – the belief that natural phenomena possess souls. Finally, Kapajeva shows a sensitive and tense collection of previously undeveloped photos the artist found that had previously belonged to her Father. These are paired with equally delicate excerpts from the novel ‘If on a winter’s night a traveller’ by Italo Calvino. All of the works require a dedicated amount of time to really get the most out of them – I would highly recommend purchasing the exhibition catalogue to gain and even great understanding of the artists’ background and intentions.
To any budding photographers based in London, do make sure that you keep an eye on the Four Corners website for future photographic residencies as this programme is potentially one of the most exiting in the capital.
Fathom 2015 will run unitl 23rd January 2016 .