This new exhibition of JR, “DECADE, Portrait d’une generation” (Portrait of a generation) at Galerie Perrotin in Paris comprises the artist’s work of the past ten years, presenting his videos, ink on wood pieces and recent photographs. “DECADE” in the title does not only signify a period of JR’s artistic practice, but also marks the passing of ten years since the most significant social uprising in contemporary France, which is exactly the subject of the artworks displayed this time.

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The exhibition starts with an installation consisting of video projections on three sides of the room and their reflections on the floor. You are put in the scene of the riots of 2005 in Clichy-Montfermeil in the suburbs of Paris, where JR first ever created large-format works in his career just one year prior to the riots.

For people who might have seen some of JR’s works before, large faces pasted on nice architecture is not something surprising. However, when huge faces are shown on damaged housing blocks which were soon to be demolished, it exemplifies the effect of the image –it feels that both the buildings and the people were yelling with strong emotions, if not painfully.

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The most impressive piece in the exhibition is a video which filmed a ballet dance reiterating the social uprising from the past of the neighborhood in a delicate and aesthetic way, probably contrasting the disturbances and violence of the original event. It provides a visual link to JR’s documentary work in that territory in various stages during the past decade.

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The poetic series of Ballet Diary created with ink on small-format wood panels were displayed in the gallery in a grid composition, echoing photographs of ballet corps posing in containers. As usual, JR’s works are rooted in reality while defeating existing boundaries, and are powerful in linking art and life together. This exhibition firmly stems from the artist’s acute understanding of his generation.

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