Bernardí Roig (Palma de Mallorca, 1965) is one of the most important exponents of the current Spanish art scene. I discovered his work in 2013, while visiting the Spanish National Sculpture Museum. Roig’s disturbing white men were placed among Renaissance and Baroque saints and virgins, surprising visitors with their unexpected presence. It was not the first time that the artist had shown his works among those in museums dedicated to other artistic periods. He has even exhibited them inside iconic religious buildings, such as the Cathedral of Burgos.
This enigmatic intrusion into one of my favourite museums was unforgettable. Therefore, I was very excited to encounter Roig’s works again this summer. In this case the location was Sala Alcalá 31, a very singular exhibition room in the heart of Madrid. This wide, vaulted space built in the 1930s, allows artists and curators to create very interesting and often bold displays. Its unconventional architectural structure, which resembles that of a church, has hosted memorable exhibitions. For instance, Brian Eno presented his 77 Million Paintings there in 2014.
In the case of Roig’s recent solo show, Mind Your Head [Cuidado con la cabeza], light was a crucial element. It created the perfect setting for the sculptures, installations, photographs, objects, videos, and drawings on show. All of them were made during the last two decades, and touched upon many aspects of Roig’s artistic vision.
The mysterious atmosphere of the rooms was striking. It was mainly due to the harsh lighting coming from the fluorescent tubes of some of the artworks. In addition, the building’s theatrical character and the overwhelming presence of white also contributed to create the impression of walking into a sinister alternative reality. Or a place taken from someone’s troubled imagination.
The first artwork that I encountered was ‘Fauno in love’. It introduced one of the main themes of the exhibition: the limits between human and animal. The idea of the metamorphosis is one of Roig’s recurrent themes, and he has explored it in many of his works. An example can be found in ‘Diana and Actaeon’, a twisted rendition of the classical myth featured in Ovid’s Metamorphoses.
One of my favorite pieces was an installation inspired by Thomas Bernhard’s short story Der Italiener. A life-sized sculpture of a dead ox hanging from the ceiling was its main component. In Roig’s interpretation of this subject, which Rembrandt depicted centuries ago, the animal’s insides are transformed into artificial light. Nearby, a tv monitor showing a clip from an 1971 experimental film based on Bernhard’s work completed the display.
Besides the spectacular installations, which definitely make an impression, I was particularly drawn to the series ‘POETS‘. In these drawings, Roig portrays different figures from the Spanish artistic sphere. They all appear dressed in the same austere white robe, with the word “poet” written on it. Their faces, barely recognisable, are distorted by the artist’s strokes. Last year, Galería Max Estrella exhibited the photographs that preceded this series within the framework of the PHotoEspaña festival.
As curator Fernando Castro Flórez pointed out, the exhibition Mind Your Head acted as a warning: be careful when entering your own mind, as what you see may be difficult to recount. After such an intense and unique experience, I cannot wait to submerge myself again into the fascinating visions that constitute Roig’s obsessions.
A virtual tour of Bernardí Roig’s exhibition Mind Your Head is available here. You have been warned!