This not-at-all-comprehensive list includes some of the most exciting representatives of the contemporary Spanish art scene. Despite belonging to a generation of highly qualified Spaniards that do not have many chances of succeeding in their home country, these young creators have already caught the eye of critics, curators and the public. Scroll down to discover their work.
The work of Mercedes Pimiento (Sevilla, 1990) revolves around architectural structures and materials, particularly those that go to waste. She puts the emphasis on the ruins of the capitalist “monuments” of the 21st century by creating her own anti-monuments, small in scale and often made of fragile materials such as soap. In a country full of unnecessary and abandoned megalithic buildings -the result of decades of property speculation- Pimiento’s work make us think about the precariousness of our current sociopolitical system.
Miguel Laino (Huelva, 1980) studied fashion at Central St Martins in London and worked with renowned designers such as Alexander McQueen and Vivienne Westwood. However, after seeing a Georg Baselitz retrospective in 2008, he decided to commit himself to being a painter. He usually reinterprets images from online and print media that he finds compelling, in a process that involves the subconscious more than the conceptual. His piece “Didier” was chosen by Chantal Joffe as the winner of the recent Painted Faces Showdown in Saatchi Art and exhibited at The Griffin Gallery, London.
Guillermo Mora (Alcalá de Henares, 1980) is currently a resident at ISCP, New York. He often uses paint as his artistic medium, but in original and unconventional ways. Some of his most characteristic works consist on layering great amounts of acrylic and vinyl paint that he later folds and piles up to form sculptural blocks. His recent work looks at the forgotten histories of painting and specifically at ideas about acts of concealment, overlapping and disappearance. The motto “add, subtract, multiply and divide” guides his artistic process.
Almudena Lobera (Madrid, 1984) works in a variety of mediums and formats, including sculpture, performance and installation. Drawing is also essential to her work, which aims to show alternative models for the configuration of the visible, delving deeply into the notion that the image is not always visible or accessible in nature. The work pictured above, “The Proof”, was part of her exhibition A latent revelation, hosted by Galería Max Estrella (Madrid) earlier this year. She is currently based in Ghent, Belgium.
Through his collages, installations, and other ‘rarities’ –as he calls them— Julio Falagan (Valladolid, 1979) seeks to dignify the banal and the obsolete. His works lead us to think about social constructions and their fissures by putting dogmas into question. I find particularly interesting how he recycles old paintings found in street markets. He modifies them in different ways, often by cutting them into pieces to compose new works with their fragments, other times by leaving his own mark on them to add new layers of meaning.
Cristina Garrido (Madrid, 1986) investigates the value that is assigned to objects, and particularly to those objects classified as art. Through common and repetitive gestures, such as picking up, collecting, and archiving, she studies the circulation of artistic objects in the art market and examines curatorial practices. In her 2015 award-winning installation “#JWIITMTESDSA? (Just what is it that makes today´s exhibitions so different, so appealing?)”, for instance, she proposed a critical reflection on the success of contemporary art exhibitions.
Mythology, symbolism and art history are usually present in the work of Marina Vargas (Granada, 1980). She mainly uses traditional media such as painting, sculpture, and especially drawing, but she has managed to create a very distinct and personal language that has an enormous power over the viewer. In the past few years she has explored the idea of destroying and questioning the classical canon. An image that keeps appearing in her projects is that of the inverted pieta.
Watching the animations created by Blanca Gracia (Madrid, 1989) is almost an immersive experience. They lead the viewer into and exotic world populated with noble contemporary savages that provide an evasion from our current reality. These animations originate from Gracia’s incredibly imaginative drawings and paintings, where she merges wild anthropology theories, explorers from pseudo-fictitious worlds and lunatic expeditions, all with a flavour of our contemporary world.
Gonzalo Borondo (Valladolid, 1989), known simply as Borondo, is a street artist based in London whose large-size and very expressive murals cover the walls of buildings all over the world. However, some of his most characteristic work is made on glass, which he covers with white paint that is scraped and scratched from the inside of neglected windows to reveal haunting images. The human figure, and particularly the naked body, is at the centre of his artistic vision, which take its influence from the great Spanish master, Francisco de Goya.
Saelia Aparicio (Ávila, 1982) studied sculpture at the Royal College of Art in London. Her recent work establishes analogies between corporeal and social mechanisms, delving into different ideas of the organic to create artificial microcosms that tell us something about our own reality. To achieve this, she uses a multiplicity of materials and processes, always with a poetic approach in mind. In one of her most recent projects, Epidermal Speleology, she explores the concept of ‘abjection’.